Artomatic 2009: 10th Anniversary
55 M Street, SE
Washington, DC 20003
May 29 – July 5, 2009
Fri-Sat: Noon-1 am
Sun, Wed, Thu: Noon-10 pm
Take Metro! Located directly above the Green Line Navy Yard Metro Stop, West Entrance
55 M Street, SE
Washington, DC 20003
May 29 – July 5, 2009
Fri-Sat: Noon-1 am
Sun, Wed, Thu: Noon-10 pm
Take Metro! Located directly above the Green Line Navy Yard Metro Stop, West Entrance
The FotoWeek DC AWARDS will recognize and honor extraordinary work in photography from all over the world. As part of its mission, FotoWeek DC, a 501(c) 3 non-profit organization, is committed to raising awareness of the power of photography everywhere, in all its forms. To that end, the second annual FotoWeek DC Awards has expanded from a regional competition with exclusively still images, to an international call for entries of remarkable imagery, both in single and series form, as well as multimedia pieces that combine the strength of still images with video, sound and graphics.
Entries will be judged in 12 separate categories. Images created via any form of photography will be accepted for consideration (film, digital, cell phone, and alternatives processes), but must be submitted electronically.
A distinguished panel of judges will select outstanding work that will be announced and recognized at the FotoWeek DC Awards ceremony to be held at the National Geographic Society’s Headquarters on Thursday, November 5, 2009.
Finalists’ images from each of the categories will be exhibited in the official exhibition space, FotoWeek Central (location to be announced) as part of the FotoWeek DC Festival November 7-14, 2009. In addition, finalists’ work will be shown online and published in a limited edition book in 2010.
Photographers worldwide may enter the FotoWeek DC Awards. All entrants must be 18 or older as of September 20, 2009. With the exception of the “Spirit of Washington” category (where all photographers enter together), photographers may enter in 2 classes (general and students). Students must be enrolled in a college or university, and finalists must be able to provide proof of student status upon notification. All works must have been created on or after January 1, 2004. All entrants must be 18 or older as of September 20, 2009.
| Single image | $25 | (20% discount for early entry until July 26: $20) |
| Series (up to 6 images) | $75 | (20% discount for early entry until July 26: $60) |
| Multimedia piece | $50 | (20% discount for early entry until July 26: $40) |
Submissions are due no later than September 20th, 2009 at 11:59 PM PDT.
Entries submitted before July 26, 2009 at 11:59 PM PDT will receive a 20% discount. Entries submitted between July 26, 2009 after 12:00 AM PDT and before September 13th, 2008 at 11:59 PM PDT will incur regular fees of $25 per image, $75 per series, and $50 for multimedia.
Extended Deadline: Entries submitted between September 13th, 2009 at 12:00 AM PDT and September 20th at 11:59 PM PDT will incur an additional fee. Single image will be $35 per entry, $95 per series, and $65 for multimedia.
Finalists will be notified of acceptance no later than October 12, 2009 by the e-mail address the entrant used to login and submit their images. Further information about preparing files for exhibition will be included in the acceptance packet. In order for winning selections to be included in the exhibition, high-res files must be submitted by 11:59 PM PDT on October 19, 2009.
Four awards winners from each category and the winner of “Spirit of Washington” chosen by a panel of judges, will be announced on November 5, 2009 at the FotoWeek DC Awards presentation at the National Geographic Society. The photographers and their awarded work will be celebrated and exhibited during FotoWeek DC at FotoWeek Central (location to be announced).
More details here
William Eggleston: Democratic Camera, Photographs and Video, 1961–2008 presents a retrospective of images by William Eggleston, who

William Eggleston, Memphis, 1975 dye transfer print 15 15/16 x 19 15/16 inches Corcoran Gallery of Art, Washington DC Gift of Mr. Morris R. Garfinkle 1987.30.3
pioneered a new era in color photography with his extraordinary pictures of familiar, everyday subjects. Organized by the Whitney Museum of American Art, New York, in association with Haus der Kunst in Munich, the exhibition brings together 150 photographs, made over five decades, by this groundbreaking artist.
It includes Eggleston’s early, little-known black-and-white work, his rarely seen video Stranded in Canton, and color photographs from various bodies of work, including Troubled Waters, Graceland, Los Alamos, and Election Eve, among others. The exhibition features a selection of images from his landmark solo exhibition in 1976 at the Museum of Modern Art, widely regarded as one of the most influential photography shows of its time. William Eggleston: Democratic Camera is co-curated by Elisabeth Sussman, curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art, and Thomas Weski, former deputy director of Haus der Kunst in Munich, Germany, now professor of the study of curatorial cultures at the Academy of Visual Arts, Leipzig.
Read complete press release here
June 20–September 20, 2009
ASPP members will receive the discounted Corcoran member rate of $15 to attend the program. Pre-registration is encouraged for all of our public programs. ASPP members can register by calling our program registrar at (202) 639-1774 or by visiting our website at www.corcoran.org/. To receive the member rate online, ASPP members can use the member code: ASPP.
Download the fliers from here and here
CORCORAN
A remarkable work of art…Jim Reed captures the exquisite tension between the beauty and the raw power of nature at its most elemental. –The World Cafe
Weather is a universal experience, but there are few people who have experienced extreme weather first-hand as Jim Reed has. On this extraordinary night of art and nature, Reed takes to the Corcoran stage and shares – with his stunning images –what it feels like to be within one-hundred-fifty feet of a twister, to be inside the dead-calm of a monstrous category four hurricane, and to survive a direct hit by Katrina. Reed has been singled out as one of the most unique and interpretive photographers working today, and his credits include National Geographic, Nikon, The New York Times, Reader’s Digest, Time Magazine, and Discovery Channel, to name a few. He signs copies of his book following the talk.
Wednesday, July 29, 2009
7:00pm
Members $15; Public $20

“Communication with Others Room,” Immigration and Customs Enforcement, Homeland Security, San Francisco, California
The National Building Museum is proud to host three photography exhibitions in 2009: Architecture of Authority: Photographs by Richard Ross, Storefront Churches: Photographs by Camilo Jose Vergara, and Form and Movement: Photgraphs by Philip Trager. For this special event only, all three photographers will be in attendance to discuss their individual projects and the inspiration behind the exhibitions. Members of the media will also get a sneak preview of Form and Movement, which opens to the public July 11, 2009.
Thursday, July 9, 2009
10:00 am – 12:00 pm
Read the press release here
401 F Street NW Washington DC 20001 | 202.272.2448 | Red Line Metro, Judiciary Square
Free Admission | Hours: Mon-Sat 10am-5pm, Sun 11 am-5pm
A film crew embarks on a seemingly impossible mission to uncover the identity of six Asian men who were photographed on 22 rolls of undeveloped film found in a Swedish dumpster in the documentary Lost Holiday.
In the opening credits, director Lucie Kralova calls the film a detective documentary. Her clues are the undeveloped rolls of film. When processed, the negatives produce 756 snapshots of six unknown Asian tourists. Kralova wants to know through making the film if it is possible to track down the men in this interconnected world based solely on what she and the film crew can glean from the photographs.
Kralova begins the endeavour by showing the pictures to Asian tourists in Prague to try to decipher the nationality of the men. Each person offers his/her opinion on why and why not the men are from a particular place. The public responses to who the men are reveal a deeper look at society. Kralova and her crew then caravan throughout Europe retracing the steps of the Asian men, and even humorously filming herself in the same location. She even goes as far to create an exhibition in Prague out of the photographs of the men. Visitors to the exhibit speculate who they think the men are based on what they are wearing, how they present themselves, and other minute details. Her clues lead her only so far, until she hits a dead end, looking for the next break.
Does Kralova ultimately discover who these men are? This documentary detective story is sure to keep viewers entertained and rooting for the crew to find out the identity of these men. Ultimately, the film is about travel, photos, identity in an interconnected world…about memory and the importance of treasuring images, and about our own perception of the world.
Screening Timings : Wednesday, June 10 @ 8pm – one night only
For more details please The Avalon theater website